Marlene Margot is a teacher, artist, and founder of the Artistic Collective Eudaimonia Project. She graduated from the Brera Academy of Fine Arts, where her thesis explored the phenomenology of the body and the role of ritual in performative experience.

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After extensive training in experimental theater, poor theater, and physical theater (with Jessica Walker, Claudia Castellucci, and Stéphane Lévy), she discovered Contact Improvisation, a practice that allowed her to explore, play, and research movement, giving space to improvisation in all its nuances. She has studied with teachers such as R. Chang, Karen Nelson, Itay Yatuv, Charlie Morrissey, and Alicia Grayson, also deepening her knowledge of somatic and embodied dimensions.

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For several years, she has been leading a Poetics of Movement workshop, where performative artistic creation intertwines with Contact Improvisation, generating collective performances and micro-performative systems. In parallel, the project is offered in schools to provide adolescents with a space for bodily and emotional awareness, integrating dance and theater in paths of emotional and relational education.

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Specialized in art therapy applied to sensitive dance, Marlene also conducts Somatic Movement workshops in various social contexts, promoting bodily and sensory awareness and fostering well-being through perception and attentive listening to the moving body.